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	<title>Tahanny Lee Betancourt</title>
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	<pubDate>Mon, 31 Mar 2025 17:53:26 +0000</pubDate>
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		<title>This might be a romance</title>
				
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		<pubDate>Mon, 31 Mar 2025 17:53:26 +0000</pubDate>

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		<title>NUEVO</title>
				
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		<pubDate>Fri, 22 Sep 2023 17:12:06 +0000</pubDate>

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		<title>TITITA</title>
				
		<link>http://tahannylee.com/TITITA</link>

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		<pubDate>Fri, 22 Sep 2023 15:54:05 +0000</pubDate>

		<dc:creator>Tahanny Lee Betancourt</dc:creator>
		
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		<title>TIEMPO SECO</title>
				
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		<pubDate>Fri, 22 Sep 2023 15:26:07 +0000</pubDate>

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		<title>AFUERA HAY SOL</title>
				
		<link>http://tahannylee.com/AFUERA-HAY-SOL</link>

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		<pubDate>Wed, 20 Sep 2023 14:43:18 +0000</pubDate>

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Voces</description>
		
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		<title>Nana</title>
				
		<link>http://tahannylee.com/Nana</link>

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		<pubDate>Sun, 31 Oct 2021 16:18:15 +0000</pubDate>

		<dc:creator>Tahanny Lee Betancourt</dc:creator>
		
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		<description>&#60;img width="2000" height="1420" width_o="2000" height_o="1420" src_o="https://cortex.persona.co/t/original/i/909f4da5dd3c8199782b72bfdeed3d5805a65b000281edd5e3711643dd347a64/NANA-WEB_0003_NANA.jpg" data-mid="1134798" border="0" /&#62;
&#60;img width="2000" height="1420" width_o="2000" height_o="1420" src_o="https://cortex.persona.co/t/original/i/4daf1fa4a55c8ed710e38e5ad3ac81fc46fb6122c2e4caa9356939684c42fe4c/NANA-WEB_0007_Background.jpg" data-mid="1134794" border="0" /&#62;

&#60;img width="2000" height="1420" width_o="2000" height_o="1420" src_o="https://cortex.persona.co/t/original/i/86fa33cd19bc4c186c6276ada9a251038e52bdb0a0c6f5d2b01b95cc419cec98/NANA-WEB_0004_NANA.jpg" data-mid="1134797" border="0" /&#62;&#60;img width="2000" height="1420" width_o="2000" height_o="1420" src_o="https://cortex.persona.co/t/original/i/0dc2ab62e3ea0c291d59fbeb840012279ce0fb1a765ba1156d2ac8097b09ffd0/NANA-WEB_0005_NANA.jpg" data-mid="1134792" border="0" /&#62;

&#60;img width="2000" height="1420" width_o="2000" height_o="1420" src_o="https://cortex.persona.co/t/original/i/454cbbbca425a371d975c0344a85c349247aeaa3bfdcc312a3ecbbec2b23956c/NANA-WEB_0006_NANA.jpg" data-mid="1134796" border="0" /&#62;


&#60;img width="2000" height="1420" width_o="2000" height_o="1420" src_o="https://cortex.persona.co/t/original/i/0f14c41e639530bd5521c30796df8a04a471aa9d8a570d60395c320a159bdd04/NANA-WEB_0002_NANA.jpg" data-mid="1134795" border="0" /&#62;
&#60;img width="2000" height="1420" width_o="2000" height_o="1420" src_o="https://cortex.persona.co/t/original/i/c5e951d2caa8b1fd15f730bf4d0bd6d16fe959c2af089a10596e9b2cc55bcfb0/NANA-WEB_0000_NANA1.jpg" data-mid="1134793" border="0" /&#62;&#60;img width="2000" height="1420" width_o="2000" height_o="1420" src_o="https://cortex.persona.co/t/original/i/661a048b93fffb847211b5f32570a8e22b90151898e175dddb7887274d2d79ad/NANA-WEB_0001_NANA2.jpg" data-mid="1134791" border="0" /&#62;
	Cuando piensas en separarte del cuerpo que nació pegado a ti, de pronto te sientes completamente seca.
Estas pinturas representan esa separación entre dos cuerpos a través de un medio acuoso vertido sobre lino crudo que deja rastros de humedad y color. Así se construye una imagen aleatoria, cómplice de pérdida y transformación. 
	Las gotas bordadas sobre el lienzo, hacen alusión a la pintura de Kahlo “Mi nana y yo” en la que retrata su propio destete y separación de su madre tras el nacimiento de su hermana menor, Cristina.
	Mi nana y yo Frida Kahlo 1937

Cuando Frida contaba con once meses de edad, su madre dio a luz a Cristina, la hija menor del matrimonio Kahlo-Calderón, por lo que la pequeña Frida fue encomendada a una indígena que tenía la labor de alimentarla y cuidar de ella. 

Años más tarde recrearía el suceso en un cuadro al que dio por nombre Mi nana y yo, en donde Frida aparece representada en parte como un bebé, ya que el cuerpo corresponde al de un infante, y por otro lado, como adulta, algo que es evidente en su rostro. Está sostenida por su nana, una indígena cuyo rostro no se distingue, al estar oculto por una máscara precolombina, lo cual impide ver si a ella le agrada o desagrada cuidar de la pequeña Frida. 
	En su seno izquierdo se aprecian las glándulas mamarías que llevan la leche hasta la boca de una Frida-bebé, en tanto que del seno derecho emanan dos gotas de leche, a punto de caer sobre el vestido de la pequeña, como si estuviese formada a partir de esta sustancia. La lluvia lechosa, que aparece en segundo plano, obedece a la explicación que su nodriza le había dado sobre el fenómeno de la lluvia: “Las gotas de lluvia son leche de la Virgen", y es esta leche la que da origen a una vegetación exuberante, de la que sobresale una nueva especie, una gran hoja de un blanco-lechoso.


https://artsandculture.google.com/asset/mi-nana-y-yo-frida-kahlo/ZwHIxII9gC30Uw?hl=es-419



</description>
		
		<excerpt>Cuando piensas en separarte del cuerpo que nació pegado a ti, de pronto te sientes completamente seca. Estas pinturas representan esa separación entre...</excerpt>

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	</item>
		
		
	<item>
		<title>Todo objeto es el vestigio de un ritual</title>
				
		<link>http://tahannylee.com/Todo-objeto-es-el-vestigio-de-un-ritual</link>

		<comments></comments>

		<pubDate>Mon, 04 Jan 2021 00:40:03 +0000</pubDate>

		<dc:creator>Tahanny Lee Betancourt</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">394301</guid>

		<description>ANTES DE QUE SEQUE EL AGUA

&#60;img width="3648" height="2736" width_o="3648" height_o="2736" src_o="https://cortex.persona.co/t/original/i/57bb9a96ba8aa1a3baa2962f997059bbf631887d118049e02891a969e41ad12b/TOEEVDUR_COLUMNA_22X10_HORIZONTAL.jpg" data-mid="1032177" border="0" /&#62;&#60;img width="3848" height="2840" width_o="3848" height_o="2840" src_o="https://cortex.persona.co/t/original/i/678ff69d7832154dd1f8e934c3450546b548bfd8f62de1d3940dcdd43be03623/A.jpg" data-mid="1317972" border="0" /&#62;&#60;img width="5568" height="3712" width_o="5568" height_o="3712" src_o="https://cortex.persona.co/t/original/i/dbf193f1c1c4a1650776315dea45fe5fbf77379d65af136e45eb7b923a41e59c/DSC_3452.jpg" data-mid="1032198" border="0" /&#62;&#60;img width="3648" height="2736" width_o="3648" height_o="2736" src_o="https://cortex.persona.co/t/original/i/fb6c3f9b495e2237c231a0f60714ac7fb7510ed3ed57213c417c51b05b9c2b63/TOEEVDUR_68X54_TABAQUERAANATOMICA_001y002_DIPTICO.jpg" data-mid="1032178" border="0" /&#62;&#60;img width="3885" height="2914" width_o="3885" height_o="2914" src_o="https://cortex.persona.co/t/original/i/77833ff96ddd5b797b609a5c9934194914a1ca3de0dbbe86d498f23a46182c78/TOEEVDUR_68X54_TABAQUERAANATOMICA_005_HORIZONTAL.jpg" data-mid="1032179" border="0" /&#62;&#60;img width="3885" height="2914" width_o="3885" height_o="2914" src_o="https://cortex.persona.co/t/original/i/5c53b2b92c09dc1c9420277466d88538ee08051e3991e97434580d4aad693f0f/TOEEVDUR_68X54_TABAQUERAANATOMICA_006_HORIZONTAL.jpg" data-mid="1032180" border="0" /&#62;&#60;img width="3885" height="2914" width_o="3885" height_o="2914" src_o="https://cortex.persona.co/t/original/i/e227df46558e4b4ca6e4be74786091520d2bd1c3a30b4f6ac8a56a53ddb6b1c9/TOEEVDUR_15X12_002_HORIZONTAL.jpg" data-mid="1032182" border="0" /&#62;&#60;img width="3885" height="2914" width_o="3885" height_o="2914" src_o="https://cortex.persona.co/t/original/i/5aa9f659b8e519611c25271ea7c839e41c67bdc59b698807fb2b5b8723df2601/TOEEVDUR_15X12_003_HORIZONTAL.jpg" data-mid="1032181" border="0" /&#62;
Me senté a ver como se derretía un hielo.&#38;nbsp;Había tiempo. 
Había pausas que daban tiempo / tiempo que se extendía elástico / tiempo que se extiende elástico / tiempo que se extenderá elástico. 


El agua, que venía de quién sabe dÓnde, que no tiene principio y no tiene final, cambiaba una vez más de cuerpo, tintineaba mientras se iba desvaneciendo poco a poco, para convertirse mitad en líquido y mitad en nada. 


Dejando un rastro pequeñito, casi invisible.


En el objeto de su efímera existencia cabían cien rituales pertenecientes a nadie. cientounmil rituales diarios de agua que viene y va, y desaparece. 


Sutiles vestigios de acciones que se repiten a diario, que nacen y mueren, dejando un rastro pequeñito... casi invisible.</description>
		
		<excerpt>ANTES DE QUE SEQUE EL AGUA   Me senté a ver como se derretía un hielo.&#38;nbsp;Había tiempo.  Había pausas que daban tiempo / tiempo que se extendía elástico /...</excerpt>

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	</item>
		
		
	<item>
		<title>Circulo de Cuerpo y Sombra</title>
				
		<link>http://tahannylee.com/Circulo-de-Cuerpo-y-Sombra</link>

		<comments></comments>

		<pubDate>Fri, 03 Apr 2020 16:45:50 +0000</pubDate>

		<dc:creator>Tahanny Lee Betancourt</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">361742</guid>

		<description></description>
		
		<excerpt></excerpt>

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	</item>
		
		
	<item>
		<title>Cadencia Fragmentada</title>
				
		<link>http://tahannylee.com/Cadencia-Fragmentada</link>

		<comments></comments>

		<pubDate>Fri, 03 Apr 2020 16:44:33 +0000</pubDate>

		<dc:creator>Tahanny Lee Betancourt</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">361741</guid>

		<description>

</description>
		
		<excerpt></excerpt>

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	<item>
		<title>Memorial para hojas Perdidas</title>
				
		<link>http://tahannylee.com/Memorial-para-hojas-Perdidas</link>

		<comments></comments>

		<pubDate>Fri, 03 Apr 2020 16:44:23 +0000</pubDate>

		<dc:creator>Tahanny Lee Betancourt</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">361740</guid>

		<description>&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;

&#60;img width="1024" height="768" width_o="1024" height_o="768" src_o="https://cortex.persona.co/t/original/i/2c2e6153b00b9f0f490c61f4ed28c24a09946d2ae7272d866f92efbb093c127d/2019-08-23-03.22.04-2.jpg" data-mid="891562" border="0" /&#62;&#60;img width="2736" height="3648" width_o="2736" height_o="3648" src_o="https://cortex.persona.co/t/original/i/4f646ac4d17a7bd8cf34444d183c5abbbfc35c0e69b7eaf3c04203ddb1318161/2019-08-23-03.26.34-7.jpg" data-mid="891563" border="0" /&#62;&#60;img width="2736" height="3648" width_o="2736" height_o="3648" src_o="https://cortex.persona.co/t/original/i/a03888bec84ac37edd4da93e1682095149b7f345609421220d9ad3a9adfb243a/2019-08-23-03.26.35-5.jpg" data-mid="891564" border="0" /&#62;&#60;img width="2736" height="3648" width_o="2736" height_o="3648" src_o="https://cortex.persona.co/t/original/i/17a669bd25d3e38b6efadf651f2077e50444da3f9bd91946bcd575e6f87dacd2/2019-08-23-03.26.34-8.jpg" data-mid="891565" border="0" /&#62;&#60;img width="5547" height="3698" width_o="5547" height_o="3698" src_o="https://cortex.persona.co/t/original/i/b65c94931c0718927f634607eb31451443aee6d6b9e8da3ef6dcc40d0ce9cf43/fisl-29.jpg" data-mid="891566" border="0" /&#62;&#60;img width="5616" height="3744" width_o="5616" height_o="3744" src_o="https://cortex.persona.co/t/original/i/4ad3b353d71e466011204363d9f983c7083402ecd84f74184aa863af5c138d4a/fisl-32.jpg" data-mid="891567" border="0" /&#62;&#60;img width="5616" height="3744" width_o="5616" height_o="3744" src_o="https://cortex.persona.co/t/original/i/6ec8e853dd977a595e5e1fc4d2465bf60f68c376eba961f2d5b44d2389bd25a3/fisl-31.jpg" data-mid="891568" border="0" /&#62;&#60;img width="5593" height="3729" width_o="5593" height_o="3729" src_o="https://cortex.persona.co/t/original/i/7c3d2f72efe13059b82cd391fc9cd7a8936d17b8e4868a5f78bf6cef05515c73/fisl-28.jpg" data-mid="891569" border="0" /&#62;&#60;img width="1200" height="900" width_o="1200" height_o="900" src_o="https://cortex.persona.co/t/original/i/f0098e856a43be44178c7f8bbc6092fd6eb84264434affc39264b3c5b576a7c8/Tahanny-Lee-01.jpg" data-mid="891575" border="0" /&#62;&#60;img width="1200" height="1441" width_o="1200" height_o="1441" src_o="https://cortex.persona.co/t/original/i/f353138587d188dda142327db5ec30c11898a49ae98b4fb7334acf7954fe66d8/Tahanny-Lee-02.jpg" data-mid="891573" border="0" /&#62;&#60;img width="1200" height="1704" width_o="1200" height_o="1704" src_o="https://cortex.persona.co/t/original/i/729d729c48215106a943bc202058ea63cfa4c7bbcc520f0125eed9cd1e664892/Tahanny-Lee-03.jpg" data-mid="891574" border="0" /&#62;&#60;img width="1200" height="1856" width_o="1200" height_o="1856" src_o="https://cortex.persona.co/t/original/i/772d205707fc537d4bdbb26256c501c08fc8c47d8e6f1d67f798e1e97138995c/Tahanny-Lee-04.jpg" data-mid="891576" border="0" /&#62;&#60;img width="1200" height="1765" width_o="1200" height_o="1765" src_o="https://cortex.persona.co/t/original/i/d8bbb34d67300c473113bd3e78a7e30e3636ce9ed330d14b197fec63c7bde52d/Tahanny-Lee-05.jpg" data-mid="891577" border="0" /&#62;

Instalación visual y sonora conformada por una serie de cincuenta campanas de viento de latón instaladas sobre los árboles del Parque Hundido en la Macroplaza de Monterrey, México. 

Cada una de estas toma la forma de las hojas secas que caen de los árboles, convirtiendo los fragmentos o restos que la naturaleza arroja durante sus ciclos naturales en pequeños memoriales sonoros y visuales, que convierten la ausencia en presencia —en memoria auditiva-. 

Al activarse con el viento, las campanas emiten una serie de percusiones que puede escucharse al caminar el trayecto que rodea a los árboles en el parque. 

Además, en distintos momentos, la obra se activa a través de performances sonoros a manera de conciertos en movimiento, donde un grupo de percusionistas toca cada una de las campanas instaladas en el parque.
Pieza seleccionada para Biofilia, curada por Guillermo Santamarina, en el marco del Festival Internacional de Santa Lucía en Monterrey, Nuevo León.</description>
		
		<excerpt>&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;    Instalación visual y sonora conformada por una serie de cincuenta campanas de viento de latón instaladas sobre...</excerpt>

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